Islamic Calligraphy

The oldest Qur'ans were written in the angular Kufic script, inspired by epigraphy:



When burnished paper replaced vellum and papyrus as writing material, cursive writing developed with the six classical calligraphic styles: Nashki, Thuluth, Muhaqqaq, Rayhani and Riqah.
The elegant Nashki script developed in the 11th century. It became the main script for Qur'ans and for calligraphic development:

(More specimens here and here.)



In Persia a national variant was created in the 'slanting' or 'hanging' Ta'liq script, inspired by Sasanian Pehlevi script:

In the 14th century it was given a regular form in the Nasta'liq script, (specimen) whose beauty appears to advantage when used for Persian poetry.



In the 17th century Herat calligraphers invented the 'broken' and difficult Shikasteh script:



The more regular Diwani variant was used in the Ottoman empire for official documents:


North Africa developed the Maghribi script, combining Kufic angularity with bold roundings often extending deeply into the line below:

(More specimens here.)



Among the classical styles are the monumental Thuluth script:



... the medieval Tawqî chancery script:



... the Rayhâni script, sharp as sabre's edges:



... and the soft Riq'ah, the present handwriting:

Literature: Kühnel, E. Islamische Schriftkunst, Graz 1972
Safadi, Y. H., Islamic calligraphy, London 1978.

Updated: 2011-12-18
Editor: Göran Bäärnhielm